Paris Fashion Week SS27 · Runway show Womenswear
Givenchy
By Sarah Burton. 56 looks, shown 2 October 2026 in Paris. Known this season for graphic eyeliner, statement earrings, statement earrings.
The show
The collection, look by look
Womenswear Spring/Summer 2027 · SS27Every look in runway order as a column of the colours measured from its garments. Hover or use the arrow keys to read each one; play to walk the show.
Look 1 of 56
Black leather zip-panel dress with chartreuse lining and cut-away shoulder
Exposed zips let the dress unfasten into flaps, revealing a shock of chartreuse lining. Leather becomes modular and kinetic, with the bag and sandals echoing the same black-and-acid pairing.
What set Givenchy apart
Over-represented in this house's looks compared with the rest of the season.
The palette
Share of garment area across 56 looks, measured from the clothes (skin and set excluded).
Silhouettes
Share of the 56 tagged looks.
What the collection was made of
Share of the 56 looks described by our AI taggerTraditions in the collection
Cultural influences →6 of Givenchy's 152 looks draw on a specific dress or craft tradition, as read from the photographs. The house is based in France.
- Sukajan souvenir jacket · Japan · East AsiaLook 24
France → Japan
“Lustrous satin bomber with raglan sleeves, ribbed collar, cuffs and hem, covered in dense large-scale embroidered florals, the defining sukajan format.”
- Wisteria and chrysanthemum (kiku) motif · Japan · East AsiaLook 39
France → Japan
“Cascading wisteria racemes paired with large spidery chrysanthemums, arranged asymmetrically and concentrated at the hem in the manner of kimono pictorial layouts, on a Western coat cut.”
- Kimono / obi brocade · Japan · East AsiaLook 50
France → Japan
“Gold silk satin with cascading wisteria, chrysanthemum and fern sprays laid out in a hem-weighted composition, typical of formal kimono and obi decoration.”
- Chrysanthemum (kiku) motif · Japan · East AsiaLook 24
France → Japan
“Spidery, thread-petalled chrysanthemums with leafy stems, rendered in satin-stitch embroidery in a style recalling Japanese kiku decoration on sukajan and kimono.”
- Japanese wisteria and chrysanthemum motif · Japan · East AsiaLook 51
France → Japan
“Cascading wisteria racemes and spidery chrysanthemum blooms in silver, green and pale yellow on pink satin, arranged like kimono-textile florals; Chinese silk embroidery is another possible reading.”
- Ukiyo-e landscape motif · Japan · East AsiaLook 55
France → Japan
“Outlined trees with stippled foliage, tiled rooftops, flying birds and stylised clouds in a woodblock-print manner, running continuously along the front panels and hem like kimono decoration.”
- Japanese floral silk embroidery (chrysanthemum and wisteria) · Japan · East AsiaLook 48
France → Japan
“Satin-stitch chrysanthemums and cascading wisteria on pale yellow silk satin, recalling kimono and Japanese export embroidery; Chinese silk embroidery is an alternative reading.”
- Silk satin floral embroidery · East Asian (unspecified) · East AsiaLook 39
France → East Asian (unspecified)
“Dense satin-stitch flowers on lustrous gold silk satin, recalling Japanese kimono or Chinese silk embroidery; could be print, Japanese or Chinese source uncertain.”
The character of the clothes
Givenchy's clothes were more vivid, cooler, smoother, more formal and more daring than most of the season.
- DarkerLighter
- MutedVividmore vivid than 81% of collections
- CoolerWarmercooler than 82% of collections
- SmoothTextured & printedsmoother than 75% of collections
- CasualFormalmore formal than 83% of collections
- ClassicDaringmore daring than 76% of collections
- ExperimentalWearable
Givenchy against every other house measured so far
Also in Paris, Spring/Summer 2027
Paris field notes →The fortnightly digest
Givenchy, in context
Every house is measured against every other, across every fashion week. The fortnightly digest sends you what moved, and who moved it.
For Publications