Copenhagen Fashion Week SS27 · Runway show Co-ed
The Royal Danish Academy
97 looks, shown 4 August 2026 in Copenhagen. Known this season for art / artist reference, clashing / maximalist, sculptural / architectural.
The collection, look by look
SS27 Runway · SS27Every look in runway order as a column of the colours measured from its garments. Hover or use the arrow keys to read each one; play to walk the show.
Look 1 of 97
Sculptural pleated photographic floral cape over sheer printed maxi dress
A blurred photographic magnolia print is folded into fan-like pleated volumes, turning a soft floral into architecture; the sheer layering lets the image drift and refocus as the look moves.
What set The Royal Danish Academy apart
Over-represented in this house's looks compared with the rest of the season.
The palette
- Pink15%
- Silver10%
- Charcoal8%
- Lilac / lavender5%
- Black5%
- Sky / powder blue4%
Share of garment area across 97 looks, measured from the clothes (skin and set excluded).
Silhouettes
Share of the 97 tagged looks.
What the collection was made of
Share of the 97 looks described by our AI taggerTraditions in the collection
Cultural influences →4 of The Royal Danish Academy's 97 looks draw on a specific dress or craft tradition, as read from the photographs. The house is based in Denmark.
- Origami paper folding · Japan · East AsiaLook 30
Denmark → Japan
“Multicoloured printed-paper headpiece built from crisp geometric folded facets and pleats, recognisably origami-style folding construction rather than sewn millinery.”
- Folded paper lucky stars · East Asian (unspecified) · East AsiaLook 30
Denmark → East Asian (unspecified)
“Dozens of small puffed five-point paper stars clustered on the skirt front, the classic folded lucky-star form made from paper strips; Chinese/Japanese/Korean craft, origin unclear.”
- Dudou bib · China · East AsiaLook 54
Denmark → China
“Flat rectangular front bib suspended from neck halter straps, edged in contrasting green binding, bare back and sides, recalling the traditional Chinese dudou undergarment.”
- Sari drape · India · South AsiaLook 53
Denmark → India
“Printed cloth swept diagonally over one shoulder like a pallu, gathered in pleated folds at the hip and falling into the lower garment, worn over a blazer.”
- Qing court portrait imagery · China · East AsiaLook 54
Denmark → China
“Panel shows a frontal painted figure in red robes and an ornate headdress, styled like a Qing-era court or ancestor portrait, collaged into gridded segments.”
- Shibori · Japan · East AsiaLook 15
Denmark → Japan
“Repeating square grid with soft bleeding edges, consistent with itajime fold-and-clamp resist dyeing. Rendered in hot pink on a voluminous synthetic fabric; could also be generic tie-dye.”
The character of the clothes
The Royal Danish Academy's clothes were lighter, more vivid, more textured, more casual, more daring and more experimental than most of the season.
- DarkerLighterlighter than 91% of collections
- MutedVividmore vivid than 93% of collections
- CoolerWarmer
- SmoothTextured & printedmore textured than 75% of collections
- CasualFormalmore casual than 88% of collections
- ClassicDaringmore daring than 95% of collections
- ExperimentalWearablemore experimental than 92% of collections
The Royal Danish Academy against every other house measured so far
Also in Copenhagen, Spring/Summer 2027
Copenhagen field notes →The fortnightly digest
The Royal Danish Academy, in context
Every house is measured against every other, across every fashion week. The fortnightly digest sends you what moved, and who moved it.
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